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on screen

Life During Wartime

  • on screen
by: 
Ed Symkus
LifeDuringWartime.jpg



Written and directed by

Todd Solondz

IFC Films • Not rated

Most critics take notes while watching movies, the better not to forget their pithiest thoughts when it’s time to write the review. Here are a couple I jotted down at a screening of Life During Wartime.

“Am I supposed to be laughing? This is about suicide and pedophilia and all kinds of really sad, confused people. Why am I laughing?”

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Scott Pilgrim vs. The World

  • on screen
by: 
Ed Symkus
ScottPilgrim1.jpg

Written by Michael Bacall and Edgar Wright; directed by Edgar Wright

Universal Pictures Rated PG-13



Give yourself five minutes to figure out if this is the right movie for you. If you’re immediately annoyed by the loud rock music, by words popping up – onomatopoeia-like – onscreen, and the presence of doe-eyed, squeaky voiced Michael Cera in the lead role, perhaps you should ask for your money back (or sneak in to see Inception again).

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Micmacs

  • on screen
by: 
Ed Symkus
MicMacs.jpg



Written by Jean-Pierre Jeunet and Guillaume Laurant;

directed by Jean-Pierre Jeunet

Sony Pictures Classics
Rated R

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Mother and Child

  • on screen
by: 
Ed Symkus
MotherAndChild.jpg

Written and directed by Rodrigo Garcia

Sony Pictures Classics

Rated R



Following in the grand storytelling footsteps of his father – Nobel Prize-winning novelist Gabriel Garcia Marquez – filmmaker Rodrigo Garcia’s newest film presents a trio of separate stories that all eventually intertwine. The result is a gripping, compelling, moving drama that celebrates, warts and all, both the joys and trying times of motherhood.

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Get Him To The Greek

  • on screen
by: 
Ed Symkus
GetHimToTheGreek.jpg

Written and directed by Nicholas Stoller

Universal Pictures Rated R



First there was Judd Apatow, who gave us The 40 Year Old Virgin, which led to Knocked Up, which begat Superbad and Forgetting Sarah Marshall.

You know the drill: raucous, sex-driven comedies peopled by characters with hearts of gold.

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The Secret In Their Eyes

  • on screen
by: 
Ed Symkus
SecretInTheirEyes3.jpg



Written by Eduardo Sacheri and Juan Jose Campanella; directed by Juan Jose Campanella

Sony Pictures Classics

Rated R

It’s always a good thing when you can argue that an Oscar-winning film is well deserved of the honor. That’s the case with The Secret in Their Eyes, the Argentine entry that nabbed this year’s statue for Best Foreign Language Film.

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Babies

  • on screen
by: 
Ed Symkus
Babies1.jpg

Directed by Thomas Balmes

Focus Features

Rated PG

For no easily understood reason, this sweet, charming, kind of fluffy documentary opens with a couple of Namibian toddlers playing in the dirt, banging rocks, fighting, crying, and drooling. Then it flashes back to “a few months earlier,” when one of them was born.

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City Island

  • on screen
by: 
Ed Symkus
CityIsland.jpg



Written and directed by Raymond De Felitta

Anchor Bay Films

Rated PG-13



Pretty much unknown outside of New York, City Island is a fishing village just off the coast of the Bronx. It’s here that the Rizzo family lives, sort of happily, even if they don’t get along very well with each other.

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The Runaways

  • on screen
by: 
Ed Symkus
Runaways37.jpg



Written and directed by Floria Sigismondi

Apparition • Rated R

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Greenberg

  • on screen
by: 
Ed Symkus
Greenberg.jpg



Written and directed by

Noah Baumbach

Focus Features • Rated R



When we first meet Florence (indie darling Greta Gerwig) in the opening frames of Greenberg, she’s walking the dog, running errands, doing the kinds of things people do on a typical day. Just a few minutes later, it’s clear that nothing she’s doing has anything to do with herself. She’s living someone else’s life – as a personal assistant, or maybe a “Gal Friday” is more like it – to a wealthy L.A. family.

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